Jun 2, 2012


DAY 1  (Of Two)                                           


My name is Jacob John and I am a professional illustration artist. I live and work in the UAE. I am writing this blog for those special people who find it necessary to communicate ideas in the drawn form in the regular course of their working day. This is also for those people who like to talk back to the world thru their drawings ! Or simply feel the satisfaction of producing some freehand drawn art!

Before I start, let me try to answer the one question that’s always on the mind of every one.

“ Can professional freehand drawing be taught to someone who has never sketched or drawn professionally before ? ”

I am sure this conversation with me will convince you that it is possible and also that if what i say makes sense to you, theres a good chance you might make a profession of it!  And I am not talking about copying Mickey mouse or tracing the outline of a tree on butter paper. Well.. I am asking you to  plan on eventually being able to draw anything you think up.. to be able to make your drawings talk by themselves to your clients and colleagues and anyone who ends up seeing your work ! 

I hope to see you there soon. Some of you (like I said earlier ) might even end up making a full time job of it, down the line.

“So why is it that most of us find it out of our reach to draw something that looks so simple when an illustration artist draws it? Obviously there’s something that this illustration artist knows (or does..) that you don’t know (..or have overlooked?)

 overlooked...?  yes overlooked.. Hows that for starters ?

Or lets say.. not looked long enough?

One of the greatest secrets of executing a good freehand sketch is really looking long enough at the subject that you have planned to sketch! 

There you have the 1st secret... Looking long enough

I was very determined to close the talk here, so that I could leave you with just the barebones of the matter to chew on.. But I think the a passage from a small story would be best narrated here to make the point stick perfectly. So here goes..

This is a short passage from a cowboy adventure novel I had read a long time back.. read thru it and then I will share something that compliments out lesson of the day ( namely.. looking long enough).

 Ottelo Vance walked slowly along the wooden passage towards the sheriff's office, he knew that he would get one chance .. only one chance. He was sure that 'Peggoty' was waiting for him somewhere between the Bonton and the Union store. And he also knew that if he was shot at in this strange town there was no chance that even the Union army would care to pursue the matter. It was the mexican boy who had warned him as he entered the Union barracks carrying the summons letter in his hands.

''Senor, they wait for you near the bonton... be careful'' 
The boy said without looking at Vance , as the gunfighter dismounted the grulla. 

Vance was aware that he himself looked like the devil, with the dried blood all over his hair and unshaved face. It was the grulla mustang that identified him to the mexican boy. The man who rode the grulla was a memory in the kids mind.. a memory of strength.. of raw power.. that seemed to ward off all evil. 

As stood in the scantly covered shed Vance was thinking about Peggoty. Peg was known to dry gulch his opponents. It was also rumored that he carried one of those fancy guns up the sleeves, which popped two quick shots at the flick of the wrist. Good enough to kill at a distance of ten to fifteen feet. 

'' As long as I can see him.. it doesn't matter how many guns he wears.. just.. as long as I see him before he sees me ..''
Thought Vance.

Standing close to the Adobo wall, the heat was unbearable, but at least he was not a target from any direction.  At a distance Vance saw the window of the makeshift saloon that was swaying in the mid noon breeze. The interiors would have to be dark and the possibility of making out the layout inside was impossible ..him being in the blazing brightness outdoors.. and if he entered not knowing where his target was .. that would be suicide..
He had the option of going straight to the sheriff and presenting himself for the summons. But he still had to pass the swinging doors of the saloon to get to there.. in any case he had to settle this.. so it had to be now.

In the simmering heat of the unforgiving mexican sun, Vance stood.. looking at the flapping window and measured exactly sixteen steps in his mind .. to get upto that flapping canvas window..and then another five towards the swinging door entrance to the tent.. or was it six..? 
'' Will think about that later.. need to get to the window and get a good look first.. that will decide if I get as far as the door..'' He muttered to himself. 

He undid the thongs on both his sixshooters and started walking in a straight line towards the tent.. as he walked he was concious of windows closing all around him and muffled words from people arround the premises.. all this he experienced in a subconcious way because as he walked with his eyes tight shut he was counting his paces and keeping a steady gait.. as he counted sixteen he opened his eyes and looked into the window.. the canvas flap flew up and he saw the figure of a fat man sitting away from the crowd towards the left.. a large smith and wesson kept on his table, its mouth facing the door.. all this he saw in a sweeping glance ..not staying on anything long enough to break the sweep of his eyes.. and  then he was at the Door. 

He stayed at the door for a few moments .. enough to make the tension unbearable for his enemy. Then he was in..  without touching the swinging doors he rolled into the saloon from under it.. and as he came to his feet he was up and facing Pegotty. The fat man looked like someone had pulled his boot off from under him. He glared at Vance not sure about the next move. 

Peg had his right hand on the table and his left hand hung limp by his side. The way Vance had made his entry was at first a little comical , but the comic effect wore off soon enough as the gents inside began to slowly move to the corners .. a ricocheting bullet could bring horrible wounds comparable to  being scalped by the most enthusiastic indian braves ..  some of the men slowly drifted outside. 

'' Hello Vance.. been a long time ol boy '' Said Peg, with a facial contortion which seemed like an awful attempt at smiling. 
'' .. come over and have a drink for ol times sakes ''.

Vance knew by now that the sleeve gun was in the hand that hung by the side. Peg started an elaborate ceremony of getting up and away from the gun on the table , he had no gun belt and no visible weapon on him..  the atmosphere in the saloon suddenly relaxed. Vance had a notion about what was coming next.  Peg slowly got up smiled again.. waddled up to the bar smiled again and picked up an unopened bottle of whisky and with his right hand tossed the bottle good naturedly at Vance.

''this one's on the house.. give us two glasses boys... ..'' laughed Peg, his eyes held no laughter..

Vance caught the bottle left handed.. his eyes didnt move from the Outline of the fat man.. who was now lifting his left hand as if in slow motion. the shot was loud and it ripped the air above Vance who was already on his left knee and with his right leg spread in front for balance drew and fired. The gun roared like a freight train going over a bridge.

The fat man was still smiling as he looked at his dysfunctional hands .. he looked puzzled as he slowly sat down. He seemed unable to breath and coughed up blood as he tried to get up again. The puzzled look slowly vanished from his face and he lay still. The three small holes in his breast pocket were scarcely separable. it looked like a small cut on the fabric. Slowly crimson was beginning to spread under the neat cut.


 Friends, this short was just to explain the fact that as you get better ''the looking long enough'' becomes shorter and shorter , untill even with a quick glance you can say " that was long enough for me''!


 Will wrap up the 2nd and final secret in my next piece. After which I promise to reveal to you some tricks that I am sure even schools of fine art didn’t tell you about. See you soon !

Jan 25, 2009

                             

DAY 2  ( Of Two)                                            




   Welcome back ! 
   And hope it was worthwhile reading thru   DAY   

   Lets just start where we left it...

   Looking long enough. I am assuming that you liked the short story too! well.. looking long enough at things to notice details that you might have otherwise missed out with a casual glance is really the starting point. And the next step is indeed the closing chapter as far as the introduction goes (that is before we get to the real action! of getting to really create some cool illustrations.. all your own original artwork!!

   I will also hope that you will find my habit of always reverting to a little bit of storytelling in between to be of use along the way. Its just so much more simpler than taking jargon and technical terms etc., that we dont want to know anyway! 

   So okay here goes..On a Friday in June'09, I was visiting my friend Zain at his home. We sat and chatted in his living room. Zain has a Siamese cat (Tom), that always curls up next to him on his sofa during the afternoons and would stay stretched out on that spot till evening, and then this cat would disappear by evening time for his night adventures.   In the middle of the sitting room on the center-table there was a tray with a bunch of bamboo shoots tied up and set on a shallow tray of water. Zain had been a student in my Weekend classes for a workshop I did in early summer of 2005 called "Quick Draw". He was sketching the bamboo stump and I was looking thru his latest sketches. 

   "Hey Zain you've noticed Tom lying there next to you." 
    I asked him.

   "If I asked you to take one look at him and then shut your eyes. And then recall what you saw. How much detail could you recall? Could you draw it down on a paper without taking another look at Tom?"    At that moment Tom looked up at me, as if he seemed to sense that we were talking about him. (cats are funny animals). After a brief questioning look Tom turned the other side and stretched into a differerent pose and started slowly licking himself.    Zain was keen to see if he could recall the initial pose that Tom had before he changed to a new pose with his legs stretched and licking himself. As Zain closed his eyes to recall, he held an expression like he was running over a garden full of thorns. Then the expression changed to something like how a person looks when he has locked himself out of his own house and left the keys inside.   Slowly he opened his eyes and looked at me and then at Tom. Tom turned again and got up on his legs and stretched himself. With one final look at me he lit out of the room and the only proof that he had been in that room just a while back was the slight dent and crease he left on the cushions.
   "So Zain, can you recall what you had seen in the first glance?" 
   I asked.  
   He replied " I guess I can."

   He put a new page on the pad and proceeded to sketch it quickly. ( Zain had been doing some sketching on a regular basis and was ready for a challenge at any time).But the pencil didnt move beyond the few initial lines.   Often when we try to remember something (besides numbers) its only the emotion that you can recall. In this case, it was the 'emotion' of comfort and relaxed laziness which is the epitome of all cats. And that was all Zain was actually able to recall. His mind, on the other hand, kept him reassured that he had the picture in there. Usually the mind's eye sees and stores visuals as emotions or feelings and not as visual 'snapshots' like a camera does. 

   Do you know that a trained eye can gradually become like a camera ! 
(But again that isn't the idea here)

     So, a demand made on the mind to take precise visual details often changes things.. ( Details like, in this case..was the cat's head resting on the paws or on the sofa?" or ''How was the tail placed " etc,. Such pieces of information are the building blocks.. 

  How do I know this? Well its a fact that the mind simply wont do more than what we command it to do. For instance, if theres a puzzle that needs to be sorted, the mind will work on it, because it is natturally inclined to solve problems that are fed to it. Often the process happens when we sleep. A puzzle is subconciously recognised as something that needs a solution.

   Often when we look at something.. we carry away a feeling about it.

   Its this feeling that stays with us longer and stronger than a ''visual snap shot'' . A camera takes on to its memory buffer a visual snapshot every time it clicks a picture. That action is an end in itself.   The mind isnt like that. We are creatures who like to use our senses to feel and thus understand thru feeling. 

   Illustration needs to be a similar exercise, an exercise in high sensitivity and creating a feeling. 
   The drawing must EVENTUALLY EXUDE A FEELING ! 

   In our daily lives the eye sees and the mind makes a sketch (on itself) of whatever we see !  The mind uses a pallete of emotions and that leads to the feeling! How about if the eye were used to get that information assembled ... and then used ... to get a drawing on a piece of paper and voila! 

There you have a strong piece of feeling on paper!

   So its about how much Visual Information you carry away from the scene, irrespective of how long you looked at it. Going back to our previous chat it is all about looking long enough to retain essential visual information in the minds buffer. How long you look would depend on how long you need to. One thing is for sure, you will gradually grab more visual information in less time. That should be the aim!
   Thats the complete package as far as the theory goes, Soon we shall meet with some very interesting PRACTICALS !!!_____________________________________________________________________________
So, what do you carry with you from this small talk! 
 Every word of it for sure ! 

BUT,
Two words that i will use a lot in all our future meeting are ..
   1.     Feeling       
&  
2.     Emotion  
We need to get these two words always to lead us in all our work... 
always keep them close to your heart!  

Cheers, until we meet again!


Sincerely

Jacob John 
 (Illustrator)

www.jacob-john.com
www.candrawanything.blogspot.com